Bach Bibliography
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Series : ^MPerception$
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
[]
1. The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach. MPerception 3 1 Fall 1985 87-102
2. Comments on 'The effects of instrumentation, playing, and structure in the Goldberg variations by Johann Sebastian Bach.' MPerception 5 2 Winter 1987 207-213
3. The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. MPerception 7 1 Fall 1989 43-48
4. Sensitivity to change in chorale sequences: A composition of single voices and four-voice harmony. MPerception 7 2 Winter 1989 151-168
5. The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. MPerception 9 1 Fall 1991 93-103
6. Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. MPerception 9 2 Winter 1991 135-154
7. Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. MPerception 10 4 Summer 1993 435-443
8. A Parallel-Processing Key-Finding Model. MPerception 14 2 Winter 1996 185-223
9. What's Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered. MPerception 17 1 Fall 1999 65-100
10. Inference of Mode in Melodies. MPerception 17 2 Winter 1999 223-239
11. An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. MPerception 19 2 Dec 2001 141-153
12. 'Seeing the big picture': Piano practice as expert problem solving. MPerception 20 4 Jun 2003 465-490
13. Tapping to Bach: Resonance-Based Modeling of Pulse. MPerception 21 1 Sep 2003 43-80
14. Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. MPerception 23 5 Jun 2006 423-446
15. 'It is different each time I play': Variability in Highly Prepared Musical Performance. MPerception 24 5 Jun 2007 455-472
16. Time-Dependent Characteristics of Performance Evaluation. MPerception 25 1 Sep 2007 13-29
17. 'Historically informed' corpus studies. MPerception 31 3 Feb 2014 192-204

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